Archive for the ‘Bhajan’ Category

Bhajan

Tuesday, June 16th, 2009

A bhajan or kirtan is a Hindu devotional song, often of ancient origin. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion. “Rasanam Lakshanam Bhajanam” means the act by which we feel more closer to our inner self or God, is a bhajan. Acts which are done for the God is called bhajan.

Kirtans are deeply rooted in Vedic tradition. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God/Goddess, or any number of divinities. Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity’s 1008 names.

Traditionally, the music has been Indian classical music, which is based on ragas and tala (rhythmic beat patterns) played on the Veena (or Been), Sarangi Venu (flute), Mridanga(or Tabla) (traditional Indian instruments). The Sikh Scripture contains 31 ragas and 17 talas which form the basis for kirtan music compositions.

Source :http://en.wikipedia.org/wiki/Bhajan

History and Origin of Bhajan

Monday, June 15th, 2009

The groundwork for the bhajans was laid in the hymns found in Sama Veda, the third Veda in the Hindu scriptures. They are distinguished from the Sanskrit shlokas by virtue of their easy, lilting flow, their colloquial renderings and their profound appeal to the masses. Bhajans are sung in a group of devotees, with a designated lead singer. Anecdotes, episodes from the lives of Gods, preachings of saints and descriptions of gods’ glories have been the subject of bhajans. The Dhrupad style is a famous form of bhajan. Another well-known form of the bhajan is the kirtan, or, song in the Haridas tradition.

Great Exponents

Monday, June 8th, 2009

The medieval age saw devotees like Tulsidas, Surdas, Mirabai, Narottama Dasa (founder of Garan-hati style), Kabir and others composing bhajans. In the modern times, composers like Pt. V. D. Paluskar and Pt. V. N. Bhatkhande have tried to mingle Raga Sangeet or Indian classical music – which had been an exclusive domain of the elite – with bhajans, thereby democratizing the Raga tradition. Chanting of bhajans and kirtan continues to be a favorite mode of worship in the Bhakti tradition of Hinduism, a tradition often regarded as far more accessible to the average person. This popularity is also reflected in the emphasis of many different gurus on chanting.

The bhajan form has also been used in Sufi qawwali, especially by Aziz Mian .